On Cybertron, he used his ability to transform into a lamp-post to spy on the Autobot city of Lacon, learning of the Autobots' plan to search for energy on other worlds. ![]() In the original Transformers cartoon, Soundwave was Megatron's right-hand mech, frequently sent on important reconnaissance missions with his cassettes, and often playing a key role in many schemes against the Autobots. When the time came for him and Starscream to massacre the Senate, he enslaved Ratbat by bestowing the smaller, weaker cassette body upon him.Īccording to X-Entertainment, Soundwave was one of the top Transformers figures of all time. In the IDW comics, on pre-war Cybertron Soundwave functioned as personal assistant to Ratbat, who was a Senator at the time, however, Soundwave's true loyalty lay with Megatron. In the Dreamwave comics, Ratbat led the Ultracons faction, while Soundwave remained with the Decepticons led by Shockwave, although within that continuity these events occurred before Ratbat took up a cassette form. However, when his cassette Ratbat became leader of the Decepticons in the Marvel Comics series, Soundwave fully shifted his trademark loyalty from Megatron to him. Soundwave's cassettes are quick to serve and defend Soundwave in a crisis, and generally relate to him as servants or even pets. Squawktalk and Beastbox were additional cassette characters under Soundwave's control in the US toyline, who were never shown in the cartoon. These spy characters include Ravage, Laserbeak, Buzzsaw, Ratbat, Rumble, Frenzy, Slugfest, Wingthing, Autoscout and Overkill, all of whom are under Soundwave's command in the original television series. Within the tape compartment, which becomes his chest in robot mode, he stores a variety of Decepticon spies, all of which take the alternative form of a microcassette. His alternative form is that of an Earthly microcassette deck. Soundwave is physically strong compared to most Transformers. Additionally, he has a photographic memory on account of the data storage capacity of the magnetic disks in his chest compartment, and he is armed with a shoulder-mounted laser cannon and hand-held concussion blaster. Soundwave is able to detect and jam transmissions across the entire energy spectrum, a talent that makes him suited to his position as a Deception Communications Officer. His alternate mode is a microcassette recorder and he has a distinctive monotone, computerized voice. Soundwave is one of the characters from the original Transformers line. ![]() 6 Transformers: Timelines (Shattered Glass).He is commonly depicted as Megatron's communications officer and, in some interpretations, only speaks when mocking the Autobots. Throughout most of his incarnations, he is an underlying loyal lieutenant of the Decepticon leader Megatron. His most well-known disguise is that of a micro cassette recorder. Soundwave is a fictional character appearing in various Transformers continuities within the Transformers franchise. Megatron, Buzzsaw, Laserbeak, Ratbat, Ravage, Frenzy, Rumble, Space Case, Wingthing, ShockwaveĬybertronian Jet, Microcassette deck, Cybertronian tank, MP3 player Lieutenant, Communications Commander and Warrior Is it possible that simply the positioning of the record head is enough to cause all of this trouble? I've tried a few things to distance the head from the tape, but the signal becomes too faint almost immediately.Nobuhiko Okamoto ( Q Transformers: Mystery of Convoy)Īction Master, Communications, Go-Bot, Targetmaster, spy bot, council member I realize that this doesn't give particularly stable speed, but it has been stable enough to recognize the source material, even though it's heavily blown-out. ![]() To record, I am pressing the record head against tape that is being reeled on a spindle. There is never a point where the audio sounds close to being good! ![]() there is an extreme oversaturation, but as I change the variables, I can diminish it to more of a crackle, and I can diminish the crackle until nothing is transferred to the tape. * Different gain-staging (op amps/buffers/summers after the transformer, instead of before) * Different frequencies and amplitudes for the bias. Summing Op Amp -> Inverting Attenuator Op Amp -> 1k:8r transformer -> Tapehead. To test the record head, I have a signal from an iPod and a sinewave generator. I should say that what I am doing is essentially building a record head from scratch for a machine that does not have one, perhaps that helps better orient the difficulty of the task I'm endeavoring. I was hoping to ask a few more questions here, so as to refine my understanding. I am not an engineer, just an avid hobbyist. I've gone through all of them, but I can't say with any certainty that I've understood everything I've read.
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